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c. 1445 – May 17, 1510. Italian painter.

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KALF, Willem
Still-Life with Silver Bowl, Glasses, and Fruit sgy

ID: 07714

KALF, Willem Still-Life with Silver Bowl, Glasses, and Fruit sgy
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KALF, Willem Still-Life with Silver Bowl, Glasses, and Fruit sgy


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KALF, Willem

Dutch Baroque Era Painter, ca.1622-1693  Related Paintings of KALF, Willem :. | Still-Life with Silver Bowl, Glasses, and Fruit | Still-Life with Silver Bowl, Glasses, and Fruit sgy | Still-Life with Lemon, Oranges and Glass of Wine sg | Still-Life with Lemon, Oranges and Glass of Wine | Still-Life sg |
Related Artists:
REformatorn Martin Luther
1483-1546 avbildad av lucas cranach d.a, tre ar fore sin dod
Leonardo Alenza Y Nieto
b Madrid, 6 Nov 1807; d Madrid, 30 June 1845 Spanish painter and illustrator. He studied at the Real Academia de S Fernando, Madrid, under Juan Antonio Ribera y Fern?ndez and Jos? de Madrazo y Agudo. He worked independently of court circles and achieved some fame but nevertheless died in such poverty that his burial was paid for by friends. He is often described as the last of the followers of Goya, in whose Caprichos and drawings he found inspiration for the genre scenes for which he became best known. Of these scenes of everyday life and customs the more interesting include The Beating (Madrid, Cas?n Buen Retiro) and Galician with Puppets (c. 1835; Madrid, Cas?n Buen Retiro; see SPAIN, fig. 17). Alenza y Nieto's numerous drawings include the illustrations for Alain-Ren? Lesage's Gil Blas (Madrid, 1840), for an edition of the poems of Francisco de Quevedo published by Castello and for the reviews Semanario pintoresco and El Reflejo. The painting Triumph of David
HORENBOUT, Gerard
Flemish Northern Renaissance Painter and Manuscript Illuminator, ca.1465-1541 Painter, designer, scribe and cartographer. He may have been the pupil of Li?vin de Stoevere ( fl 1463), the only painter of the five artists who guaranteed his admission fee into the guild of painters and illuminators in Ghent in 1487. Horenbout became a versatile and productive artist, painting altarpieces, portraits and illuminated manuscripts and designing tapestries and stained-glass windows. He also collaborated with the nuns of the convent of Galilee near Ghent in making a model garden with flowers made of cloth that he delivered to Margaret of Austria, Regent of the Netherlands, at her court in Mechelen. He seems to have achieved a degree of wealth commensurate with his output: in 1503 he acquired a house






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